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National Corvette Museum debuts ‘Pop Culture and Corvette’

National Corvette Museum debuts ‘Pop Culture and Corvette’

 Special exhibition charts 71 years of Corvettes with connections to film, TV, music, games, celebrities, and the American lifestyle

The National Corvette Museum in Bowling Green, Ky., has broadened its “American Love Affair” exhibit with “Pop Culture and Corvette.” The elevated exhibit is a road trip through Corvette’s impact on entertainment and popular culture. More than a dozen Corvettes are on display with the pop culture stories that made them famous.

The National Corvette Museum in Bowling Green, Ky., has broadened its “American Love Affair” exhibit with “Pop Culture and Corvette.” The exhibit elevated exhibit is a road trip through Corvette’s impact on entertainment and popular culture. It will be displayed through 2025. (Photos courtesy of the museum or as credited)

BY MARK MAYNARD

The National Corvette Museum has debuted a new exhibit around the Chevrolet Corvette and pop culture. Whether in film, music, TV, literature, sports, or video games, the Corvette is a powerhouse of pop culture relevance.

In tribute, the National Corvette Museum has broadened its “American Love Affair” exhibit with “Pop Culture and Corvette.” The elevated exhibit is a road trip through Corvette’s impact on entertainment and popular culture. More than a dozen Corvettes are on display with the pop culture stories that made them famous.

Opened in mid-October, the exhibit focuses on Corvettes with connections to media and the American lifestyle. Corvettes from every generation illustrate how America’s Sports Car has evolved over 71 years.

“Pop Culture and Corvette” explores how the Corvette has made its mark on everything from Hollywood blockbusters to music videos. Display elements span Elvis Presley’s 1959 Stingray Racer in “Clambake to the Corvette-inspired characters in the “Transformers franchise.

“Corvette has always been a pop culture icon,” Robert Maxhimer, director of curatorial affairs, said in a release. “Pop Culture and Corvette” shows how the sports car starred in moments that defined generations.

Gemini and Apollo mission astronaut Jim Lovell’s 1968 Silverstone Silver Corvette.

Gemini and Apollo mission astronaut Jim Lovell’s 1968 Silverstone Silver Corvette.

Exhibition Highlights

  • Screen Legends: A Medium Blue Metallic 1973 Corvette is featured in the reboot of “Hawaii Five-0(2010-2020). And the “Transformers film series introduced the Corvette-based concepts of “Crosshairs” and “Sideswipe.”
  • Gaming Great: A concept version of the C7 Corvette was brought to life in the virtual racing world of “Gran Turismo 6.” The gaming influence highlights how Corvette has reached new audiences.
  • Famous Owners: Aficionados of the nameplate might be surprised and pleased by some of the celeb’s Corvettes on view and their stories. Among them are country music icon Brad Paisley, Major League Baseball star Reggie Jackson, and rockabilly pioneer Jerry Lee Lewis.
  • Six Strings for the Z06 and 1960: A Z06-themed Paul Reed Smith guitar is signed by Corvette Hall of Famer Ron Fellows (2011). The six-string features the Corvette emblem and other flourishes. Also on display is a Les Paul guitar with styling cues from the 1960 Corvette signed by Zora Arkus-Duntov.
  • To the Moon: Astronaut Jim Lovell has shared his 1968 Silverstone Silver Corvette and artifacts from flight. Included are Lovell’s astronaut gloves and an autographed lunar navigational chart; it is on loan from the U.S. Space and Rocket Center in Huntsville.
Roy Orbison’s Rally Red 1967 Sting Ray L68, with a 427cubic inch, 400-horsepower V-8.

Roy Orbison’s Rally Red 1967 Sting Ray L68, with a 427 cubic inch, 400-horsepower V-8.

Immersive Display

More than a display of cars, the exhibition is an immersion into Corvette’s cultural legacy. The exhibit includes a multimedia presentation of iconic Corvette moments in film, television, and music. The presentation shows how this automotive icon has shaped — and been influenced by — American pop culture.

The museum’s exhibits are regularly updated, deepening the storytelling that connects Corvette to American history. Exploring the intersection of Corvette and pop culture was a natural progression,” said Kaye Wagner, Chair of the National Corvette Museum Board. “With ‘Pop Culture and Corvette,’ we celebrate how Corvette has transcended the road to become a true cultural icon.”

Reggie Jackson’s 1978 Corvette Pace Car replica (center).

Reggie Jackson’s 1978 Corvette Pace Car replica (center).

 Take a Pop Quiz

This quiz might win you a couple of bar bets from those less informed.

  • In the 1967 American beach party musical “Clambake,” this actor-singer starred as Scott Hayward. An heir to an oil fortune, Hayward trades places with a water ski instructor at a Florida hotel. In the movie, Hayward drove a 1959 Stingray Racer.
  • This film franchise features two Corvette-inspired Autobot characters,  Sideswipe and Crosshairs. Sideswipe’s design is based on the 2009 Corvette Stingray concept. Crosshairs started as a deep green and black 2014 Corvette with a distinctive rear spoiler. It was updated to a 2016 Corvette with a slightly different livery.
  • This video game helped introduce the Corvette to a new generation. Released in 2013, this driving simulator featured a concept version of the C7. The game provided auto racing fans a digital “drive” of the then-brand-new Corvette.
  • Who was the Major League Baseball Hall of Famer nicknamed “Mr. October”? This slugger is known for his postseason clutch hitting with the Oakland Athletics and the New York Yankees. He was one of the lucky few to own a 1978 “Official Pace Car of the Indianapolis 500” Corvette.
  • Who was the pioneer of rockabilly music nicknamed “The Killer.” His 1954 Corvette roadster was repossessed by the IRS in 1980 to cover his back taxes.
  • Based in Nashville, rock stars such as Jimmy Page and Slash highly regard this renowned guitar maker. This custom guitar features styling details borrowed from the 1960 Corvette and signed by Zora Arkus-Duntov. The body is Tuxedo Black with an ivory scoop similar to the car’s side “scoop” design.
The 1959 Chevrolet Corvette Stingray Racer in concept form.

The 1959 Chevrolet Corvette Stingray Racer in concept form. (Photo courtesy of Chevrolet)

IF YOU GO

“Pop Culture and Corvette: An American Love Affair”  will be displayed through 2025. For more information or to plan your visit, go to corvettemuseum.org. And follow the museum on Facebook, TikTok, LinkedIn, Instagram, YouTube, and X.

About the National Corvette Museum

The National Corvette Museum is a 501(c)(3) not-for-profit foundation. The museum is an educational and research institution. It is located a mile from General Motors’ Bowling Green Assembly Plant, where the Corvette has been built since 1981. The Museum Campus has 115,000 square feet of exhibition and event space. The exhibits showcase more than 100 historically significant Corvettes, 50,000 Corvette artifacts, and the NCM Motorsports Park.

American Honda Collection Honors Car Clubs, Community at Dec. 14 Event

American Honda Collection Honors Car Clubs, Community at Dec. 14 Event

Bimonthly Cars, Bikes & Coffee Show at the American Honda Collection Hall in Torrance, Calif., is an enthusiasts’ open house 

Car enthusiasts stroll the lobby of American Honda in Torrance California

Shop for Honda-Acura merch in the American Honda lobby in Torrance, Calif. (Photos courtesy of American Honda)

BY MARK MAYNARD

American Honda is in the holiday spirit for its Dec. 14 Cars, Bikes & Coffee Show. This gathering of the third Saturday events honors Clubs & Community and features a Toy Drive. Clubs will get special entry and space to display vehicles and promote their work. The toy drive is in collaboration with the City of Torrance. Those who bring a new, unwrapped toy will receive a special thank you commemorative item.

The Cars, Bikes & Coffee Show is a free enthusiast event held every other month. Fans of all models, makes, and eras of automobiles and motorcycles are welcome. Each show includes free admittance to the museum and the Power of Dreams boutique of Honda-Acura merch.

The gatherings also feature:

  • DJ Music
  • Vendors
  • Starbucks and food trucks
  • Giveaways
  • Special exhibitors
a formula style race car on view in the Honda American Collection Hall

Honda Racing has a big presence in the museum.

The 20,000-square-foot Collection Hall museum opened in mid-September 2024. More than 60 vehicles are displayed from Honda and Acura, including motorcycles, power products, engines, and racing machines.

Each cars and coffee show attracts a consistent 1,200 vehicles and 2,500 enthusiasts, Carl Pulley, American Honda Heritage, said in a release. The grand opening of the Collection Hall was last September.

2025 CARS, BIKES & COFFEE SHOWS

Feb. 15; April 5; June 21; Aug. 16; Oct. 18; Dec. 13.

IF YOU GO

The American Honda Collection Hall is at 1919 Torrance Boulevard, Torrance, CA 90501. Gates to the American Honda parking lot open at 7:30 a.m., with showtime from 9 a.m. to noon.

Learn more about American Honda Heritage here.

2014 Corvette Museum Sinkhole 10 Years Later

2014 Corvette Museum Sinkhole 10 Years Later

“Ground to Sky: The Sinkhole Reimagined” will run through Sept. 15 in the National Corvette Museum, Bowling Green, Ky.

The main show space of the display “Ground to Sky: The Sinkhole Reimagined”

Corvettes retrieved from the sinkhole and brought out of storage include the ZR-1 Spyder, 1962 Corvette, and the 2009 1.5 millionth Corvette. (Photos courtesy of the National Corvette Museum)

REWRITE BY MARK MAYNARD

The National Corvette Museum has opened a limited engagement exhibit that chronicles the 2014 sinkhole that captured worldwide attention.

“Ground to Sky: The Sinkhole Reimagined” tells a story of resilience encapsulating a decade of progress since the cave-in. Visitors will be able to reflect on the recovery of one of the most shocking automotive stories of all time.

On Feb. 12, 2014, car enthusiasts worldwide tuned in to a captivating but cringeworthy story.  Eight iconic Corvettes had fallen 30 feet in a massive sinkhole through the museum’s show floor in Bowling Green, Ky. In the days, weeks, and years that would follow, the National Corvette Museum would recover all eight cars.

A milestone chart from 2014 to 2024

The decade’s long milestones of restoring the sinkhole damage.

Now, a decade later, the museum is telling the story of recovery and rebuilding. The three-month, limited-engagement exhibit opened June 14 and will run through Sept. 15, 2024. Among the special features are:

Recovered Sinkhole Corvettes: Corvettes retrieved from the sinkhole and brought out of storage include the ZR-1 Spyder, 1962 Corvette, and the 1.5 Millionth Corvette. These icons will be displayed alongside the 2009 ZR-1 Blue Devil and 1 Millionth Corvette.

Personal Interviews: Museum staff members give firsthand accounts of the sinkhole’s discovery, recovery, and current progress.

Museum Chronology: Reflect on the museum’s transformative journey over the past decade. Highlights include the repair of the sinkhole, two dozen new exhibits, and capital improvements to the McMichael Education Gallery.

The Ground to Sky display area

The “Road to Sky” exhibit will run through Sept. 15, 2024, in the National Corvette Museum, Bowling Green, Ky.

PLAN A VISIT

“Ground to Sky: The Sinkhole Reimagined” opened June 14 and will run through Sept. 15. Plan a visit at this link.

Museum admission includes access to the Skydome, which features a viewing platform for the 40-foot sinkhole. Visitors can also see the boulder that impacted the 2001 Mallett Hammer Z06, the last Corvette pulled out of the sinkhole. It is now outside the Stingray Grill.

The display will have special braille labels for all five Corvettes. The project was created with the American Printing House for the Blind in Louisville, Ky.

A crushed corvette that fell into the musem

The 2009 1.5 millionth Corvette.

IF YOU GO

National Corvette Museum is at 350 Corvette Drive, Bowling Green, Ky 42101.

CONTACT: (270) 781-7973

MUSEUM HOURS:

Sunday-Saturday 9 a.m. to 5 p.m. CST

COST:

General admission is $25 for ages 13-61; $14 for youth 5-12; $23 ages 62 years and older. See ticket pricing and packages here.

UPCOMING HOURS

Nov. 1-Dec. 31 – Monday-Friday 10 a.m. to 5 pm. CST; Saturday and Sunday 9 a.m. to 5 p.m. CST

Jan. 1-Feb. 28, 2025 – Monday -Friday 10 a.m. to 5 p.m., closed Tuesdays; Saturday and Sunday 9 a.m. to 5 p.m.; closed Tuesdays in January and February

*The last admission tickets are sold by 4:30 p.m. Tickets can be purchased on-site or online. The museum is closed on New Year’s Day, Thanksgiving Day, Christmas Eve, and Christmas Day.

Ford Mustangs That Never Were

Ford Mustangs That Never Were

16 concepts and design sketches of proposed Ford Mustang variants

16 concepts and design sketches of proposed Ford Mustang variants.

The first-generation Ford Mustang in Wimbledon White. (Photography courtesy of Ford PR archives)

BY MARK MAYNARD

It was 60  years ago on April 17, 1964, that the Ford Mustang debuted at the World’s Fair in Flushing Meadows, New York. It was an immediate sales success — but there were many concepts, design studies, and prototypes that were considered along the way. Some of those were codenamed the “Bruce Jenner” and the “Rambo” and there was a station wagon, a four-door and two-seater body styles.

Ford Motor announced today, April 14, that for the seventh year in a row, the Mustang is the world’s best-selling sports coupe, according to Ford analysis of registration data from S&P Global Mobility.

According to Ford’s internal data, the United States remains home to the strongest demand for Mustang, representing 76 percent of global sales. Other markets that saw growth in Mustang sales in 2021 include New Zealand, up 54.3 percent, Brazil, up 37.3 percent, and South Korea, up 16.6 percent. 

Here are some images and captions from the Ford Motor archives that show some of the ideas that were considered. Most were wisely resisted.

1965 Mustang Four-Door

A prototype four-door mustang.

Two doors too many?

While Mustang used the platform of the compact Falcon as its starting point, the four-door Mustang could have brought the idea full circle by adding two doors to the pony car. Fortunately for Mustang fans, cooler heads prevailed.

1966 Mustang Station Wagon

In the mid-1960s, Ford designers considered at least a couple of different concepts for a Mustang station wagon, with at least one running prototype based on a 1966 coupe getting built. Another design study included elements for refreshed models that were coming later that decade. All of the known Mustang wagons were three-doors that were closer to a European “shooting brake” than a traditional American family station wagon.

1961 Avventura, Avanti, Allegro Concepts

From late 1961 into mid-1962, Ford designers tried out a wide range of themes for a sporty coupe based on the platform of the new Falcon compact. Each design was given an internal name for the purpose of discussion. One fastback design actually went through at least three different names starting with Avventura before moving on to Avanti and finally Allegro. The fastback design was originally sketched with a hatchback and rear-facing second-row seat. While this car never made it to production, a variation of the fastback profile was eventually adopted as the third body style for Mustang.

Avanti/Allegro Concept

As Avventura moved from sketch to physical design model, the hatch was replaced with a trunk and the rear seat was switched to a more conventional forward-facing orientation. Originally shown internally as Avanti, the name was eventually changed to Allegro, likely because Studebaker had introduced its own production Avanti coupe around the same time.

1962 Allegro Design Study

In 1962, the design team, led by Gene Bordinat, worked on several iterations of another design called Allegro. While the production 1965 Mustang was a very different car in almost every visual detail from Allegro, the design study established the basic proportions that would define most Mustangs for the next five decades. The notchback coupe had the same long-hood, short-deck layout with a compact greenhouse that would roll out of the Rouge factory two years later.

The Millionth Mustang

For the 1966 celebration of the millionth Mustang produced: Airline pilot Capt. Stanley Tucker, the owner of the first ordered Mustang, with Ford design chief Gene Bordinat (left), Ford President Lee Iacocca, product manager Donald Frey and an unnamed Ford exec.

1967 Allegro II Concept

The 1967 Allegro II Concept for Mustang

In 1967, Ford designers decided to reprise one of the original Mustang design concepts from 1962 with a new form and repurposed name. Starting with the Avanti/Allegro fastback coupe, the greenhouse was removed and replaced with a low-cut speedster-style windshield, roll bar, flying buttresses on the rear deck, and a new rear end. The reworked concept was dubbed Allegro II.

1967 Mach 2 Concept

1967 Mustang Mach 2 Concept

With the Mustang having already set sales records following its launch in 1964, Ford design chief Gene Bordinat and the Special Vehicles Group decided to try rearranging the pieces for the Mach 2 concept. The 289 Hi-Po V-8 was shifted from the front to behind the two seats to evaluate the layout as a possible successor to the Shelby Cobra. Despite its midengine layout, the Mach 2 retained the long-hood, short-deck proportions of a Mustang. Unfortunately, the Mach 2 never went much beyond the auto-show circuit.

1966 Mustang Mach I Concept

1966 Mustang Mach I Concept
Pantera-esqe?

The two-position hatchback was intended to accommodate longer objects in a near-horizontal position or open wider for cargo loading.

1969 Ford Mustang Boss 302 Engine

1969 Ford Mustang Boss 302 Engine

The high-performance 302-cubic-inch V8 used in the 1969 Ford Mustang Boss 302.

1966 Mach 1 Concept

1966 Ford Mustang Mach 1 Concept

As the first-generation model transitioned from a pony car to a larger and heavier big-block muscle car, the Mach 1 concept was created as a preview of the 1968 model. The original nose of the concept drew inspiration from the 1963 Mustang II concept.

1970 Mustang Milano

1970 Ford Mustang Milano in purple

First shown publicly at the February 1970, Chicago Auto Show, the Mustang Milano concept previewed the nearly horizontal rear deck and sharp, extended nose that would be seen on the production 1971 model. However, aside from those two elements, the Milano didn’t really bear much resemblance to any production Mustang. In fact, the car that probably drew most heavily on the Milano profile was the Australian-market Falcon XB coupe of the mid-1970s.

1970 Mustang Milano front

Would this become Ford’s Torino?

‘Bruce Jenner’ design study

Bruce Jenner Mustang design concept

Too soft?

In 1990, Ford designers evaluated a number of themes to replace the long-running third-generation Mustang. The notchback and hatchback body styles would be replaced with a single fastback coupe format. After departing from many of the original design cues on the third-generation models, the upcoming fourth-generation would return elements like the galloping pony in the grille, the side scoops and the tri-bar taillamps. This softer concept, known as “Bruce Jenner” wasn’t considered aggressive enough to be a Mustang.

‘Rambo’ Design Study

The Mustang 'Rambo' Design Study

Too extreme for a Mustang?

This alternative proposal dubbed, “Rambo,” was deemed too extreme for production.

1980 Mustang RSX Concept

1980 Mustang RSX Concept

Created in the Italian Ghia design studio, the RSX was conceived as a rally special based on the new Fox-body third-generation Mustang that debuted for the 1979 model year. With a 1-inch-wider track and 5.6-inch-shorter wheelbase than the road-going Mustang, the RSX had extra ride height that would be needed for dealing with the off-tarmac stages of European rallies.

1961-62 Two-Seater Studies

A two-seat Mustang study.

The two-seater concept.

Early in the gestation of the original Mustang, Ford designers considered a number of two-seater studies. These were seen as a more affordable return to the roots of Thunderbird, which by this time had grown into a much larger four-seater. The idea of a two-seat Mustang was something designers returned to frequently in the period between the original Mustang 1 concept and the 1992 Mach III. Aside from some track-oriented Mustangs that had the rear seats removed to save weight, there has never been a strictly two-seat production Mustang.

 

1951 Buick Special Convertible

1951 Buick Special Convertible

In the early 1950s, the Buick brand was full speed ahead in feeding post-war demand for passenger cars. Buick became known for its tagline ‘Premium American Style’

A 1951 black and white Buick print ad for a Buick Special Convertible with model standing in the top-down passenger seat with a beach in the background

The 1951 Buick Convertible remains a symbol of an era when cars were more than mere transportation — they were works of art, craftsmanship, and aspiration. (Photos courtesy of the GM Media Archive)

BY MARK MAYNARD

American car design was on the threshold of a renaissance in the early 1950s. It was just five years since the end of World War II when U.S. automakers got back to the business of making vehicles for civilians and not the war effort.

Between Feb. 10, 1942, and Sept. 9, 1945, General Motors and other American carmakers did not produce cars for civilian use. Starting in 1940, General Motors eventually converted over 100 of its manufacturing plants to produce for the war effort.

After the war, passenger car designs continued to grow in size — a direct reflection of the post-war prosperity enjoyed by most Americans. Automotive engineering brought new technologies, such as electric starters, hydraulically operated convertible tops, power windows, and power driver’s seats — sometimes referred to in period print ads as the pilot’s seat.

A black and white photo showing a factory employee installing a left-side back door.

On the production line in 1951 at Buick City, Flint, Mich.

The first safety features debuted, such as padded dashboards, safety glass, and improved brake systems. Now that chrome was again available (restricted during wartime production), large expanses of the shiny metal alloy coating was applied to bumpers, bodyside spears, grilles, and headlight casings.

Design features of warplanes could be seen in the post-war designs of cars, according to a report in Hertz.com. Expansive tail fins emulated aircraft wings. Hood ornaments took the shape of gunsights, and conical “Dagmar” bumper guards would mimic artillery shells. Buick’s iconic “vertiports” — hood portholes — recalled the exhaust outlets of fighter aircraft such as the P-51 Mustang, built by North American Aviation in the 1940s. While the P-51 Mustang was V-12 powered, with six exhaust ports aft the propeller, the Buick had just three to four ventiports on each side of the hood.

A black and white photo of a Buick Roadmaster instrument panel

The Roadmaster instrument panel.

Ventiport History

The now-iconic Buick portholes, correctly termed “ventiports,” were a stylist fluke. Credit for the brand-defining feature goes to noted General Motors stylist Ned Nickles, who designed and installed a set of round fender vents on his personal 1948 Buick Roadmaster. According to the engaging report in MacsMotorCityGarage.com, Nickles used small electric lamps (probably neon or similar) that were wired to the ignition system. The lights would flash in sequence with the cylinders of the engine. Reportedly, he was inspired by the flashing exhaust pipes (or gun muzzles, in some versions of the story) on World War II fighter aircraft.

At that moment, a Buick styling trademark was born.

“Buick manufacturing boss Edward T. Ragsdale ridiculed the gimmick, saying it ruined the car, but general manager Harlow Curtice loved the idea, minus the flashing lamps, and ordered the vertiports into production on the 1949 models, a scant seven months away.

The 1949 Roadmaster debuted four “Cruiser-Line Ventiports” per side, while the junior Super and Special sported just three per side. The Roadmaster earned four portholes for its 320-cubic-inch straight-eight vs. 260 cubic inches of the lesser models. The F-263 engine (for 263 cubic inches) had power ratings of 120 hp or 124 hp in the 40 series or 50 series. The top-line 70 series had an upgrade to 168 hp.

A 1951 color Buick print ad touting "Buick Lifts the Limit on Luxury"

Buick color print ad: “Smart Buy for 1951.”

Post-War Vehicle Demand

The Buick brand was full speed ahead in feeding new post-war demand for passenger cars. The brand became known for its tagline, “Premium American Style.”

The 1951 Buick model-year lineup elevated the General Motors brand to America’s fourth-largest automaker. Total sales that year were 406,657, according to the third edition of “The Standard Catalog of American Cars, 1946-1975.” Convertibles represented 9.4 percent of Buick’s business.

A black and white photo of a Buick Super

Each Buick series had its unique grille pattern, contributing to its identity. The Super Series, for example, sported a bold horizontal grille.

Buick Innovations

The 1951 Buicks were known for their distinctive features, combining style, comfort, and innovation. Here is a list of some of the special features that set Buicks apart:

1. Dynaflow Transmission: Buick introduced the Dynaflow automatic transmission, which provided smooth gear changes and eliminated the need to shift gears manually.

2. Distinctive Grille Designs: Each Buick series had its unique grille pattern, contributing to its identity. The Super Series, for example, sported a bold horizontal grille.

3. Electric Clocks: Buick was among the first to include electric clocks as standard equipment. The timepieces added a touch of modernity.

4. Safety Innovations: Buick emphasized safety. Features like padded dashboards, safety glass, and improved braking systems ensured passenger well-being.

5. Wide Whitewall Tires: Buicks roll on wide whitewall tires, which enhance their visual appeal and ride quality.

The open Buick Roadmaster trunk with a spare tire on the right side

There looks to be room for the golf cart and clubs in the 1951 Roadmaster trunk.

The “Fireball Eight”

Buick debuted the “Fireball Eight” straight-eight-cylinder engine across its entire lineup beginning with the 1931 model year. The straight-8 would continue powering all Buicks until it was replaced by the 322-cubic-inch “Nailhead” V-8 beginning in 1953, per the Journal of Classic Cars.

“The Buick lineup in the early 1950s was easy to map out, with just three models starting with the Special (Series 40) at the entry-level position. Moving upward came the Super (Series 50) with such features as distinctive rear side windows. Sitting at the top was the Roadmaster (Series 70) flagship with “sweepspear” fender trim and wide chrome panels below the windows and doors.

A black and white of a 1951 Buick Super Convertible.

Convertibles represented 9.4 percent of Buick’s business in 1951.

Buick Special Convertible

The 1951 Buick Special Convertible, also known as Model 46C, epitomized Buick’s dash and elan in a budget-priced package. Despite its affordability, $2,561, it boasted luxurious deluxe finishes that set it apart.

The Model 46C was a two-door convertible with seats for six. It was powered by the new F-263 engine, with high compression ratios and ample horsepower. The convertible was full-bodied at 3,645 pounds but 860 pounds less than the Roadmaster.

Inside, passengers were treated to plush interiors, comfortable seating, and attention to detail.

The top-of-the-line Buick Roadmaster Riviera pushed the starting price to $3,453 in 1951. But it remains a symbol of an era when cars were more than mere transportation — they were works of art, craftsmanship, and aspiration.

For Buick restorations, be sure to visit the Buick Heritage Alliance.

Marvelous Motorama Exhibit of GM Dream Cars

Marvelous Motorama Exhibit of GM Dream Cars

A special display of six GM Motorama concept cars will be on view through March 2026 in the Petersen Automotive Museum, Los Angeles

A black and white image of a crowd to see the 1953 GM Motorama dream cars

The 1953 GM Motorama display in the Waldorf Astoria New York. (Petersen Museum/GM)

BY MARK MAYNARD

The Petersen Automotive Museum in Los Angeles will celebrate “Dream Cars” from the 1950s with its newest exhibit, “GM’s Marvelous Motorama: Dream Cars From the Joe Bortz Collection.” The unique display will open on March 16 and run through March 2026. The exhibit will feature six concept cars, displayed initially at GM Motorama shows in 1953, 1954, and 1955.

Staged in the Audrey and Martin Gruss Foundation Gallery, the exhibit will explore the history of General Motors’ traveling Motorama shows. Legendary GM stylist Harley Earl used the shows to present experimental non-production cars that featured design and technological concepts. Some of his creations were put into production, including the 1953 Corvette.

A mid 1980s photo of Joe Bortz in the Warhoops scrap yard leaning on a GM Motorama dream car in complete disrepair.

In the mid-1980s, collector Joe Bortz purchased the four cars from the Warhoops scrapyard in Sterling Heights, Mich. Here, he rescues the 1955 Chevy Biscayne. (Photo courtesy of Joe Bortz)

“These cars are the Picassos and Rembrandts of this automotive generation. To see six of them together, all from the ’50s, and all the real deal is a once-in-a-lifetime opportunity.” — Joe Bortz, collection owner

The Marvelous Motorama exhibit will feature six cars, including three rescued from near destruction at Warhoops Auto and Truck Parts in Sterling Heights, Mich. After their time in the spotlight, most “Dream Cars” were sent to scrap yards to be cut apart and crushed. Four cars were saved by Warhoops employees and squirreled away among junked car bodies. After hearing rumors about the saved “Dream Cars” in the mid-1980s, collector Joe Bortz purchased the four cars from the scrapyard.

The two tone blue and white 1955 LaSalle II Roadster concept.

The 1955 LaSalle II Roadster concept. (Petersen Automotive Museum/GM)

6 Motorama Cars On View

Museum visitors to the Marvelous Motorama display will see the 1955 LaSalle II Roadster and 1955 Chevrolet Biscayne, which Bortz painstakingly restored after both were cut in half in preparation for the crusher, as well as a 1955 LaSalle Sedan in its “junkyard fresh” condition. Additional cars featured in the exhibit are the 1953 Pontiac Parisienne, 1953 Buick Wildcat, and a wholly original and unrestored 1954 Pontiac Bonneville Special.

“These cars are the Picassos and Rembrandts of this automotive generation,” said Bortz. “To see six of them together, all from the ’50s, and all the real deal is a once-in-a-lifetime opportunity.”

An artist’s rendering of the 1954 Bonneville Special bubble top.

An artist’s rendering of the 1954 Bonneville Special bubble top. (Petersen Automotive Museum/GM)

“Joe Bortz has an incredibly unique collection of historic cars, the likes of which have never been displayed at the museum,” said Petersen Automotive Museum Executive Director Terry L. Karges. “The Motoramas were an important part of automotive history, and we are excited to share these ‘Dream Cars’ with enthusiasts from around the world.”

“GM’s Marvelous Motorama: Dream Cars From the Joe Bortz Collection” will run through March 2026. To purchase tickets or for more information about the Petersen Automotive Museum, please visit Petersen.org/exhibits.

A 1955 color image shows two La Salle concepts cars and a Cadillac, all on turntables for the GM Motorama

The 1955 GM Motorama display in the Waldorf Astoria shows La Salle II concept cars. (Petersen Museum/GM)

About the Petersen

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The museum is at 6060 Wilshire Blvd. (at Fairfax) in Los Angeles, 90036.

Admission prices: $21 for general admission adults, $19 for 62+, $13 for youth (12-17), and $13 for children ages 4 to 11. Active military with ID, personal care attendants, and children under age 4 are admitted free.

Museum hours: 10 a.m. to 5 p.m. daily.

For general information: (323) 930-CARS or visit Petersen.org.